Ilit Azoulay is best known for panoramic photomontages such as The Keys, 2010 and Room #8, 2011, which depict arrangements of materials she has collected from demolished buildings around south Tel Aviv. Azoulay employs an archeological and forensic method to uncover the political context of otherwise inconsequential everyday objects hidden in debris.
Recent exhibitions include a 7th option, Andrea Meislin Gallery, New York; Ocean of Images: New Photography 2015, MoMA, New York; Implicit Manifestation, Herzliya Museum of Contemporary Art, Herzliya; Shifting Degrees of Certainty, Kunst-Werke Institute for Contemporary Art, Berlin and Room #8, Andrea Meislin Gallery, New York. Azoulay received a BFA and MFA from the Bezalel Academy of Art and Design, Jerusalem. Recent publications include Finally Without End, an artist monograph published by Sternberg Press, Berlin and Shifting Degrees of Certainty, following her exhibition at KW published by Spector Books, Leipzig.